Sometimes they say that I work in the Arts. Sometimes they call it the industry. I tend to believe I work in the business of happiness; making people happy by selling them Art pressed into wax and Art pressed onto cotton, manufactured by people who are unhappy, someone’s boot pressed in the middle of their back, picking cotton, weaving cotton, sewing cotton, inhaling cotton, shipping cotton. And maybe wax.
Happiness follows the law of conservation of mass. Happiness cannot be created or destroyed. The total mass of the reactants equals the total mass of the products.
Ice to water, water to steam.
Former-happiness to cotton. Cotton to t-shirt. T-shirt to Art. Art to happiness.
Art doesn’t walk around town handing out twenty-dollar bills or cab vouchers or new rental lease agreements. Art doesn’t have its lifeguard safety—it doesn’t save people who are already drowning. Art is like whiskey, it makes you feel warm even though you’re losing your leg to the cold.
Where was Art when your friend was evicted by Regina Housing Authority and slept outside for a month and died in his friend’s kitchen? Had we finally convinced him to draw a picture for the Free Press, would Art have saved him?
Where was Art when your wheelchair-bound friend kept getting his cigarettes stolen by his brother who could have been painting miraculous animal scenes and selling prints but instead stole blind people’s cell phones to sell for crystal meth?
Art was in an office building, denying grants. Art was at a wine-and-cheese opening wearing a well-fitting shirt.
Fuck Art, man. Fuck the fact that this piece of prose is (debatably) a piece of Art.
Rocky sits in the the empty coffee room of a fading drop-in centre drawing portraits of people who may or may not exist, to give away to the first person she knows will praise her for it. Rocky draws because it’s the only thing that can help her cope with the fact that everyone she knows is dying in front of her.
Her aunt from Cote.
Hilliard, found frozen outside.
All in a week. She draws because what the hell else can we do?
That is, unless it’s used for its one and only true purpose, as with Rocky, as the antidote in a place dripping in poison.
Three blocks from the venue, down an industrial street in Denver like that in any North American city that boomed in the 1950s, was a small store inside of repurposed shipping containers that sold US-made backpacks, outerwear, and slacks. The store was clean and simple and catered to the young outdoorsy types who live inside but are able to sleep in tents in exotic locations outside.
“We were one of the first businesses in this part of town,” said the shopkeeper sitting bored behind a handmade counter, hair messily gathered in a bun on the top of her head like she had just crawled out of a tent in the Rockies that surrounded her city. “Since then all sorts of businesses have opened here, which is too bad, it used to be a cheap part of town. Now there’s a luxury hotel going up just up Larimer.” The woman expresses her displeasure just as I would. I agreed as I tried on a pair of outerwear pants behind the changing curtain. Their shop and brand are participating in making the neighbourhood more expensive by selling $150USD pants, but they are at least trying to create a manufacturing industry by making their products in the USA. I left without buying pants, wondering where the nearest goodwill was.
The next day, the venue was plopped in the same part of town, only in a city that was 500 miles away, a state and a half to the east. After load-in and soundcheck, the soundman asked “Where’d you go for food? The burrito place? How was it? I heard it wasn’t that good. Yeah, this was the part of town no one would come, until my boss opened this bar and the other one, we started booking shows here, and then other businesses started coming too. It was kinda the bad part of town, now it’s the up-and-coming part of town.” At the expensive coffee joint across from the bar arcade, next to the burrito place, they were giving out a free, one-page newspaper/zine/leaflet. In it read,
“Most American cities are run by real estate interests… In Omaha, the tactic for encouraging gentrification is Tax Increment Financing or TIF. TIF is a way for cities to return tax money to developers as an incentive to put up projects that the city wants (and the public makes up the difference). Unfortunately, no provision is made for the people who used to live in the cheap housing turned into gentrified apartments. The former residents are simply scattered to the four winds. Surprised by ‘shots fired’ near 108th and Maple? This is your City gentrification policy in action.”
A similar but more developed street newspaper in Seattle uses the G-word, gentrification, describing places like Africatown in Seattle being dismembered, breaking up the “home and haven for Seattle’s Black families and businesses”, and highlighting stories of people failing to maintain housing in a rapid-rehousing program because of the recent inflation in costs of rent. Large newspapers will only use the G-word when describing vandals in Montreal or Vancouver who are terrorizing business owners, as business is the uncriticizable holy grail of progress.
I am fortunate to be able to tour with world-class musicians, but each time I’m on the road I wonder how long such jobs will exist. How long will I be paid to burn fuel and watch music in ‘up-and-coming’ parts of American cities, while around the block, that neighbourhood’s previous inhabitants are clamouring to find shelter under a bridge or in a condemned building. I do it because there’s something in music and creation that is able to be unpolluted by corporate greed, though most times it has already been bought and sold.
When people ask what I got to see this trip, Linh Dinh answers for me in his book, Postcards from the End of America, in which he visits communities across the United States left with little or no economy:
You can’t really see a city or town from a motorized anything, so if you claim to have driven through Los Angeles, for example, you haven’t seen it. The speed and protection of a car prevents you from being anywhere except inside your car, with what’s outside rushing by so fast that each face, tree, and building is rudely dismissed by the next, next and next…Like television, the private automobile was invented to wean us off our own humanity. From each, we’ve learned how to amp up our impatience and indifference towards everything, and with life itself.
After tour ends I fly home to an ailing Saskatchewan. I’d heard of the government cuts while in San Francisco, when a friend texted saying WHAT. THE. FUCK. with a link to an article about the shutting down of the province-owned small town transportation and parcel shipping company. Now home, walking through the downtown, worried citizens are passing colourful clipboards around, asking passers-by to sign one of the multitudes of petitions that are circulating to Save Our Libraries, Save our Bus System, Save our Schools. I sign them all, knowing full well that no petition will be worth the millions of dollars that the government squandered on stadiums and tax cuts on resource extraction companies. The angry protests and province-wide campaigns might get them to preserve something, but the effectiveness of these actions will only go so far if we continue to work within the system that props up corporate interest over that of the public. Though it plays into the hands of the fearmongering government and high income class, one can see why smashing windows in Montreal seems more effective.
Government MLAs show their responsibility, boasting their 3.5% paycuts, which to them means 3.5% less income to spend on boats and cottages and home renos and filet mignon. The paycuts they make to those on social assistance, the paycuts they make to those once employed by the rural transportation system, the cuts they make to the libraries, all mean that thousands of low income individuals won’t have food, shelter, a way to travel for medical treatment, books, and significantly more.
Several years ago, after seeing Chris Hedges speak at the University, I worried that Saskatchewan was the next sacrifice zone—the places that are abandoned by industry, left in disrepair and a humiliating culture of dependency after being used and left behind because of their lack of monetary worth. This could be the beginning of that reality.
It starts with the desperate government selling its struggling assets to the highest bidder, then selling its most profitable assets. They begin begging oil companies to relocate to the province to help the crumbling economy, start giving public land to large corporate bidders. At this point, entire cities and provinces will be bloated with corporate-controlled land and buildings, and towns end up, in a way, like the middle-class urban centres of post-manufacturing North American cities, where no one can afford to pay rent. Eventually, when the government isn’t coddling big business enough, they’ll pack up and move to find a different government who will subsidize their existence. Thirty years later, when our industries have died and all that’s left is cheap bars and empty buildings, businesses that pander to middle class tastes will further move into parts of town with abandoned buildings and cheap rent and begin the process of displacement of those marginalized by the loss of industry, struggling to survive in the older neighbourhoods. We are no better than the economic destruction seen in the United States, we are just a generation behind.
All that will help in the midst of a breakdown of free, communal places of existence and of the breakdown of social programs, is the creation and maintaining of communities that support one another and support the other, the different communities who are similarly affected. I am the middle class that is being pandered to, and while being in these places, eating their burritos, buying their pants, is not inherently bad, it makes it all the more imperative to support and participate in the communities that are contrary to austerity. These communities—social groups, churches, activist collectives, sports teams, artist groups, musicians—must band together to build movements that support the racialized, marginalized, the poor, Indigenous, immigrant communities, who are most harshly affected by public cuts and an economy sucked dry.
Linh Dinh, states the obvious:
For any community to be healthy, local initiatives must be encouraged, nurtured and protected, so let’s reclaim our home turf, reestablish the common, and, in the process, regain our collective sanity and dignity.